THE INITIATION,
growing up surrounded by artists and creators...
Françoise was born during the «Roaring Twenties». A time of freedom,
of Art Deco creations, when women were muses and liberated. Paris is a
party, the Normandy province celebrates its impressionists: Claude Monet
died just after his birth, but after the dark years and the humiliations
of his early years, the consecration took place during his lifetime. In
1917, he received his fi rst public commission, impressionism resonated
throughout the world and in 1927, the extraordinary exhibition of water
lilies at the Musée de l’Orangerie opened its doors to the public. It was
one of the largest monumental works of the time, the «Sistine Chapel of
Impressionism», as the painter André Masson rightly said.
But in Maromme, the Monet did not derive any glory from it. They were not worldly and
had known for a long time that the Impressionists had the gift of moving the whole world.
The war was approaching, it was necessary to face up to it and the young girl lived through
this period of uncertainty and fear as a teenager: the occupation, the bombings, the
exodus, France cut in two and liberated, before coming of age and living through these
years of unprecedented economic expansion known as the «30 glorious years» from the
post-war period until the 1970s.
Claude Monet, Auguste renoir - Oils on canvas
For Françoise, art is a matter of course. A daily routine. Living all her youth with the
paintings of Claude Monet, Camille Pissarro, Alfred Sisley or Auguste Renoir on her walls
is not exceptional and it is quite natural that she draws and paints when she feels like it,
spending her whole childhood in her grandfather’s house in Maromme, whom she never
knew. More than her rather distant mother, it was her grandmother, Aurélie Monet, who
passed on to her love of cooking, the art of entertaining that made Maromme famous in
the days of the artists, and perhaps also her sense of humor and her freedom of thought.
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